mandag 27. september 2010
torsdag 19. august 2010
"All rights reserved" - an obstacle in creating the Open Society
Why Oskar Hansen did not publish "Towards Open Form" with a Creative Commons license remains a mystery. Both Hansen (in his latest written works) and numerous others officially promoting the Open Society signed contracts with publishers prohibiting their works to be shared and re-used noncommercially.
A couple of years ago the norwegian architects' association (NAL) sent their members information on "copyright for architects". They did not even mention the Creative Commons option. Maybe we should all send NAL an email asking them why?
"All rights reserved" - an obstacle in creating the Open Society by Sølve N.T. Lauvås is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Norway License.
lørdag 17. juli 2010
onsdag 30. juni 2010
søndag 9. mai 2010
Architecture of the human psyche
(From: http://web.archive.org/web/20100727021329/http://www.hypnosisforyou.com/psyche.html)
Very few architects and artists takes the subconscious reactions of the viewer into account when creating their works. It also seems that people who have studied the theories and/or practises of connecting the conscious and subconscious mind easier will understand the logic of Open Form, whether it applies to art, architecture or other fields.
Research in this field includes (but not limited to):
J. B. Deregowski (1989): "Real space and represented space: Cross-cultural perspectives"
Emily Balcetis and David Dunning (2006): "See What You Want to See: Motivational Influences on Visual Perception"
Kappas, Arvid andOlk, Bettina(2008): 'The concept of visual competence as seen from the perspective of
the psychological and brain sciences', Visual Studies, 23: 2, 162 — 173
mandag 19. april 2010
Zen Gardens
Japanese gardens are a living work of art in which the plants and trees are ever changing with the seasons. As they grow and mature, they are constantly sculpted to maintain and enhance the overall experience; hence, a Japanese garden is never the same and never really finished. The underlying structure of a Japanese garden is determined by the architecture; that is, the framework of enduring elements such as buildings, verandas and terraces, paths, tsukiyama (artificial hills), and stone compositions. Over time, it is only as good as the careful maintenance that it receives by those skilled in the art of training and pruning. Part of the art is to keep the garden almost still, like a painting.
Sources: http://en.wikipedia.org/wiki/Japanese_rock_garden
http://www.kasrl.org/axiomathes.pdf
lørdag 27. mars 2010
fredag 26. februar 2010
Alan Watts - Work As Play
mandag 22. februar 2010
lørdag 6. februar 2010
The Relational View - Jan Helderman
Jan Helderman also has a blog at http://janhelderman.blogspot.com/