tag:blogger.com,1999:blog-60806928566005836512023-11-15T10:25:02.177-08:00Open Form 2.0Open Form 2009 - 2059-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.comBlogger25125tag:blogger.com,1999:blog-6080692856600583651.post-15444823244845126162010-09-27T01:33:00.000-07:002010-10-10T07:24:28.036-07:00"Gumbasia" by Art Clokey - for fans of Visual Structure<a href="http://www.archive.org/details/Gumbasia">http://www.archive.org/details/Gumbasia</a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-70502793552647127392010-08-19T05:12:00.000-07:002010-10-10T07:24:28.038-07:00"All rights reserved" - an obstacle in creating the Open SocietyTo fully realise a society based on the open principle, every individual must have the opportunity to create art and entertainment without any legal restrictions on the use and re-use of other artistic works. Thus the whole concept of intellectual property have to be questioned. In a society where it is unlawful for individuals to re-use artistic works to create new ones and freely distribute them, there is no true artistic freedom. Corporations like ASCAP and TONO claims that they are "protecting their members rights" when <a href="http://creativecommons.org/weblog/entry/22643?utm_source=ccorg&utm_medium=postbanner">attacking the sharing culture and Creative Commons</a>, which represents a legal alternative to the "all rights reserved" based system that goes back to pre-WW2 (in Norway). The systems for free sharing of artistic works in both professional and consumer quality are already here (i.e.<a href="http://www.archive.org/">archive.org</a> and <a href="http://www.jamendo.com/">jamendo.com</a>), but cannot be utilised to the full extent as long as both users and the services themselves run the risk of lawsuits due to copyright issues.<br /><br />Why Oskar Hansen did not publish "Towards Open Form" with a Creative Commons license remains a mystery. Both Hansen (in his latest written works) and numerous others officially promoting the Open Society signed contracts with publishers prohibiting their works to be shared and re-used noncommercially.<br /><br />A couple of years ago the norwegian architects' association (NAL) sent their members information on "copyright for architects". They did not even mention the Creative Commons option. Maybe we should all send NAL an email asking them why?<br /><br /><br /><a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/no/"><img alt="Creative Commons License" style="border-width: 0pt;" src="http://i.creativecommons.org/l/by-nc-sa/3.0/no/88x31.png" /></a><br /><span dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" property="dc:title" rel="dc:type">"All rights reserved" - an obstacle in creating the Open Society</span> by <span cc="http://creativecommons.org/ns#" property="cc:attributionName">Sølve N.T. Lauvås</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/no/">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Norway License</a>.-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-2451670907679674912010-07-17T10:07:00.000-07:002010-10-10T07:24:28.044-07:00Design History: The Trademark in Nazi Germany and the Modern Logo<object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=8828186&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=8828186&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/8828186">Design History: The Trademark in Nazi Germany and the Modern Logo</a> from <a href="http://vimeo.com/independentmedia">Independent Media Channel</a> on <a href="http://vimeo.com">Vimeo</a>.</p>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-61874793578541187222010-06-30T04:53:00.000-07:002010-10-10T07:24:28.046-07:00Claude Bragdon: "Architecture & Democracy" (1918)<iframe src="http://www.archive.org/stream/architecturedemo00brag?ui=embed" height="430px" width="480px"></iframe>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-44388547355045692732010-05-09T08:48:00.000-07:002017-02-06T08:59:46.670-08:00Architecture of the human psyche<b>"The unconscious mind processes information on a more symbolic, metaphorical level than the conscious mind. While your conscious mind is occupied with rationally analyzing the words being listened to, it is the unconscious mind that is more concerned with their meanings"</b><br />
<br />
(From: <a href="http://web.archive.org/web/20100727021329/http://www.hypnosisforyou.com/psyche.html" target="_blank">http://web.archive.org/web/20100727021329/http://www.hypnosisforyou.com/psyche.html</a>)<br />
<br />
Very few architects and artists takes the <span style="font-style: italic;">subconscious reactions of the viewer</span> into account when creating their works. It also seems that people who have studied the theories and/or practises of connecting the conscious and subconscious mind easier will understand the logic of Open Form, whether it applies to art, architecture or other fields.<br />
<br />
Research in this field includes (but not limited to):<br />
<br />
J. B. Deregowski (1989): "Real space and represented space: Cross-cultural perspectives"<br />
<br />
Emily Balcetis and David Dunning (2006): "See What You Want to See: Motivational Influences on Visual Perception"<br />
<br />
Kappas, Arvid andOlk, Bettina(2008): 'The concept of visual competence as seen from the perspective of<br />
the psychological and brain sciences', Visual Studies, 23: 2, 162 — 173-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-57055709065117975972010-04-19T03:56:00.000-07:002010-10-10T07:24:28.051-07:00Zen Gardens<a style="" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://upload.wikimedia.org/wikipedia/commons/thumb/5/58/Shitennoj_honbo_garden06s3200.jpg/250px-Shitennoj_honbo_garden06s3200.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 250px; height: 167px;" src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/58/Shitennoj_honbo_garden06s3200.jpg/250px-Shitennoj_honbo_garden06s3200.jpg" alt="" border="0" /></a><span style="color: rgb(204, 204, 255);">The </span><b style="color: rgb(204, 204, 255);">Japanese <a href="http://en.wikipedia.org/wiki/Japanese_rock_garden" title="Rock gardens" class="mw-redirect">rock gardens</a></b><span style="color: rgb(204, 204, 255);"> </span><span style="font-weight: normal; color: rgb(204, 204, 255);"></span><span style="color: rgb(204, 204, 255);"> or </span><b style="color: rgb(204, 204, 255);">"dry landscape"</b> gardens, often called <b style="color: rgb(204, 204, 255);">"Zen gardens"</b><span style="color: rgb(204, 204, 255);"> were influenced mainly by </span><a style="color: rgb(204, 204, 255);" href="http://en.wikipedia.org/wiki/Zen_Buddhism" title="Zen Buddhism" class="mw-redirect">Zen Buddhism</a><span style="color: rgb(204, 204, 255);"> and can be found at Zen temples of </span><a style="color: rgb(204, 204, 255);" href="http://en.wikipedia.org/wiki/Meditation" title="Meditation">meditation</a><span style="color: rgb(204, 204, 255);">.</span> <p style="color: rgb(204, 204, 255);">Japanese gardens are a living work of art in which the plants and trees are ever changing with the seasons. As they grow and mature, they are constantly sculpted to maintain and enhance the overall experience; hence, a Japanese garden is never the same and never really finished. The underlying structure of a Japanese garden is determined by the architecture; that is, the framework of enduring elements such as buildings, verandas and terraces, paths, tsukiyama (artificial hills), and stone compositions. Over time, it is only as good as the careful maintenance that it receives by those skilled in the art of training and pruning. Part of the art is to keep the garden almost still, like a painting.</p><p style="color: rgb(204, 204, 255);">Sources: <a href="http://en.wikipedia.org/wiki/Japanese_rock_garden">http://en.wikipedia.org/wiki/Japanese_rock_garden</a></p><p style="color: rgb(204, 204, 255);"><a href="http://www.kasrl.org/axiomathes.pdf">http://www.kasrl.org/axiomathes.pdf</a><br /></p><p style="color: rgb(0, 0, 0);"><br /></p>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-67165785586950263412010-03-27T05:34:00.000-07:002010-10-10T07:24:28.053-07:00Open Form/New Open Form Music<a href="http://www.michaelwilhelmi.de/NewOpenForm/?page_id=311&lang=en">http://www.michaelwilhelmi.de/NewOpenForm/?page_id=311&lang=en</a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-40729194399715289202010-02-26T06:01:00.000-08:002010-10-10T07:24:28.054-07:00Alan Watts - Work As Play<embed id="VideoPlayback" src="http://video.google.com/googleplayer.swf?docid=-3552105127182647832&hl=en&fs=true" style="width: 400px; height: 326px;" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash"></embed> <div style="display: none;" id="video-watchon"> <span> </span> </div> <span style="display: block;" id="video-description">Alan Watts discusses viewing work as a dance, and how life is spontaneous, instead of driven by external forces. <a href="http://www.alanwatts.com">www.alanwatts.com</a></span>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-55035196189409401822010-02-22T01:17:00.000-08:002010-10-10T07:24:28.056-07:00Art Safari - Relational Art: Is It An Ism? (2004)<a href="http://www.ubu.com/film/relational.html">http://www.ubu.com/film/relational.html</a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-59541769879441275132010-02-22T01:03:00.000-08:002010-10-10T07:24:28.058-07:003 films by Joseph Beuys (1921-1986)<a href="http://www.ubu.com/film/beuys.html">http://www.ubu.com/film/beuys.html</a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-27696379978189463032010-02-06T02:04:00.000-08:002010-10-10T07:24:28.059-07:00The Relational View - Jan HeldermanChinese dating site spammers are not completely useless. They can lead you to sites like <a href="http://www.fabc.info/">www.fabc.info</a>, which may be interesting for students of visual structure. To put it short, it is about relations of forms and functions and understanding of these.<br />Jan Helderman also has a blog at <a href="http://janhelderman.blogspot.com/">http://janhelderman.blogspot.com/</a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-91526963548567174712009-12-02T06:36:00.000-08:002010-10-10T07:24:28.060-07:00Oskar Hansen Symposium 2009OH-SYMPOSIUM 09 - BAS 18. OG 19. DESEMBER 2009 – OPEN FORM 50 ÅR<br />AT BAS 18th and 19th of December – OPEN FORM 50 YEARS<br /><br />JUBILEUMSYMPOSIUM - PROGRAM<br />FREDAG 18. DESEMBER<br />Friday 18th of December<br />Time<br />KL.18 OSKAR HANSEN SYMPOSIUM - OPEN FORM 50 år. v/ Svein Hatløy<br /> Open Form 50 year’s anniversary - Oskar Hansen symposium<br />KL.19 Helsing til Svein Hatløy.<br /> Greeting to Svein Hatløy<br /> Immatrikulering av 1.klasse. v/ Marianne Skjulhaug<br /> Matriculation of 1.year<br />OPNING AV 1.ÅRS JULEUTSTILLING OG JULEFEST<br />1.year’s Exhibition and Christmas party<br /><br />LAURDAG 19. DESEMBER<br />Saturday 19th of December<br />KL.10 Hårsamlinga. Hårinnsamlingskontor www.zeth.no/hair.html<br />Kurt Johannessen<br /> Hair collection. Hair collection Office<br />KL.10.20 OF2 – framhaldskurs Open Form, v/ Svein Hatløy<br /> OF2 – continuity course of Open Form<br />KL.11-11.10 PAUSE, te og kaffi<br /> SHORT BREAK<br />Økt 2: MARKERING av OPEN FORM 50 ÅR i GUANGZHOU, KINA,<br />prosjekta til OF2, viste på utstilling og førelesingar - norsk kveld<br />CELEBRATION in GUANGZHOU, OPEN FORM 50 YEARS<br />KL.11.10 Prosjektet: Sterk vind – Open Form, metode og praksis i Gulen,<br />Strong Wind – Open Form, method and practice at Gulen<br />v/ Mona Steinsland<br />KL.11.50 Prosjekt: Sjølvbygging ved Lisboa, Portugal<br /> Self building invitation outside Lisbon, Portugal, v/ Jørgen Stavseng<br />KL.12.20 Prosjekt: Nasjonale turistvegar, CODE Arkitektur og 3RW Arkitektar<br />v/ Bjarne Ringstad og Espen Rahlff<br />Reading topological space. Projects and realizations from the National Norwegian Tourist Route Project<br />KL.13.20 LUNCH - Godt grovt brød og varm suppe<br /> Good bread and hot soup<br /><br />Økt 3. REPORTS FROM CHINA - RAPPORT FRÅ KINA<br />KL.14 OPEN FORM 50 YEARS - OPEN FORM INTERNATIONAL SCHOOL OF ARCHITECTURE - OF2, THE CONTINUATION.<br />CHINA, GREAT NUMBER, from Shi Pai Guangzhou to Beijing.<br />KINA, FLEIRTALSFORM, frå Shi Pai, Guangzhou til Beijing.<br />Open Form 50 år – OF2 i symposiet og 3 verkstadar. Oversyn ved Svein Hatløy og innlegg ved OF2, Mona Steinsland, Jørgen Stavseng, Bjarne Ringstad, Espen Rahlff, Henning Kaland<br />Open Form 50 year – OF2 in the symposium and 3 workshops. Introduction by Svein Hatløy, and contribution from OF2<br />Ordskifte - Discussion<br />KL.15 MIND THE GAP. Diplom 2009. Marit Kornberg<br />KL.15.15 – 16 WARZAWA SPEL, alle er med – CONTINUITET/SIMULTANITET.<br />WARSAW GAME everyone takes part – CONTINUITY/SIMULTANEITY-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com1tag:blogger.com,1999:blog-6080692856600583651.post-34366660461174996982009-11-22T04:05:00.000-08:002010-10-10T07:24:28.062-07:00Study Group on Open Form (unofficial) at Bergen School of Architecture.<span style="font-size:100%;">Starting at December 19. 2009, there will be a study group mainly dedicated to the non-architectural aspects of Open Form.<br /><br />Planned activities includes:<br /><br />- Study trip to </span><a href="http://www.museumsnett.no/salhus/norsk_trikotasjemuseum/engelsk.htm">The Norwegian Knitting Industry Museum</a> for case studies of the integration of art in industry machines and architecture.<br /><br />- Study trip to Poland including Warszawa and Szumin, for studies of Oskar Hansen's architecture and works.<br /><br /><br />Contact info: sntlauvaas_(at)_hotmail_(dot)_com-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-38581277679848036732009-11-01T12:48:00.000-08:002010-10-10T07:24:28.064-07:00Steampunk Culture - Open Form ideas reborn?From: <a href="http://www.steampunknetwork.co.uk/">http://www.steampunknetwork.co.uk/</a><br /><br />An Overview of Ideas<br /><br />Steampunk is a cultural movement of people who wish to rediscover the adventure, mystery and imagination in the modern world. We take our inspiration from the pre-industrial past, when craftsmanship mattered and before mass-production and vast meta-companies with billion-dollar profits became the norm.<br /><br />We prize individuality and personal expression, trying to be inclusive rather than exclusive; the wide-scope of people who call themselves Steampunks makes any definition difficult. Anarchists who fight for environmental protection and individual rights, artisans who hand-craft beautiful and functional works of art, story-tellers who explore what could have been, what should have been and what was never going to be, free-thinkers who want to bring some magic back into the world and lead by example, costumers who slip into another set of cloths and another life, engineers trying to find some tactile connection with the world we live in... Everyone's welcome.<br /><br />Whenever more than half-a-dozen Steampunks gather in one place, it's almost inevitable that a discussion will start as to What Steampunk Is. It normally ends with people agreeing to disagree. Consider us guests at an open party. Anyone can come in. If you find like-minded people and want to stay, you're more than welcome.-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-69030857122221186052009-10-18T05:03:00.000-07:002010-10-10T07:24:28.068-07:00Lutz Mommartz: "Denkmaler" (1970)<embed type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" src="http://www.archive.org/flow/flowplayer.commercial-3.0.5.swf" w3c="true" flashvars="config={"key":"#$b6eb72a0f2f1e29f3d4","playlist":[{"url":"http://www.archive.org/download/Mommartz_Denkmaler_1970/format=Thumbnail?.jpg","autoPlay":true,"scaling":"fit"},{"url":"http://www.archive.org/download/Mommartz_Denkmaler_1970/Mommartz_Denkmaler_1970_512kb.mp4","autoPlay":false,"accelerated":true,"scaling":"fit","provider":"h264streaming"}],"clip":{"autoPlay":false,"accelerated":true,"scaling":"fit","provider":"h264streaming"},"canvas":{"backgroundColor":"0x000000","backgroundGradient":"none"},"plugins":{"audio":{"url":"http://www.archive.org/flow/flowplayer.audio-3.0.3-dev.swf"},"controls":{"playlist":false,"fullscreen":true,"gloss":"high","backgroundColor":"0x000000","backgroundGradient":"medium","sliderColor":"0x777777","progressColor":"0x777777","timeColor":"0xeeeeee","durationColor":"0x01DAFF","buttonColor":"0x333333","buttonOverColor":"0x505050"},"h264streaming":{"url":"http://www.archive.org/flow/flowplayer.h264streaming-3.0.5.swf"}},"contextMenu":[{"Item Mommartz_Denkmaler_1970 at archive.org":"function()"},"-","Flowplayer 3.0.5"]}" height="504" width="640"></embed><br /><br /><span style="font-weight: bold;">Monuments: Jurgen Kuhfuss. An attack on the sense of monuments in Duesseldorf.</span><br /><br />A pioneer of the film genre known as "other cinema," <span class="searchTerm">Lutz</span> <span class="searchTerm">Mommartz</span> was born in in Erkelenz in 1934 and spent most of his life in Dusseldorf. He began making movies in 1967 and eventually became Professor of Film at the Kunstakademie Munster. He still lives and works in Germany, dividing his time between Dusseldorf and Berlin.<br /><br />In this movie, he questions the "traditional" monument in a way similar to Oskar Hansen's theory of "Art as a background for events" (as opposed to "Art for the sake of art".)<br /><br />More of Lutz Mommartz' films can be found at <a href="http://www.archive.org/search.php?query=lutz%20mommartz">www.archive.org<br /></a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-65624948688921400852009-10-06T03:23:00.000-07:002010-10-10T07:24:28.069-07:00Lectures on Visual Structure by Svein Hatløy-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-58898392643034302602009-09-26T08:44:00.000-07:002010-10-10T07:24:28.072-07:00What Visual Structure is REALLY about...<object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/Y8sNT-VFCow&hl=en&fs=1&rel=0&color1=0x3a3a3a&color2=0x999999"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/Y8sNT-VFCow&hl=en&fs=1&rel=0&color1=0x3a3a3a&color2=0x999999" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></embed></object><br /><br />Ernie uses visual structure methods to make four cookies look like five by rearranging them on the plate.-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com1tag:blogger.com,1999:blog-6080692856600583651.post-57946137211395550622009-08-30T05:52:00.000-07:002010-10-10T07:24:28.074-07:00Open form wallpaper/desktop backgrounds<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i206.photobucket.com/albums/bb309/DJ_PY/openformsymbol.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 54px; height: 76px;" src="http://i206.photobucket.com/albums/bb309/DJ_PY/openformsymbol.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i206.photobucket.com/albums/bb309/DJ_PY/openformsymbol-2.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 54px; height: 76px;" src="http://i206.photobucket.com/albums/bb309/DJ_PY/openformsymbol-2.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i206.photobucket.com/albums/bb309/DJ_PY/openform_wallpaper.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 131px; height: 173px;" src="http://i206.photobucket.com/albums/bb309/DJ_PY/openform_wallpaper.jpg" alt="" border="0" /></a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-82543235902139672962009-08-29T10:38:00.000-07:002010-10-10T07:24:28.076-07:00Open form/closed form symbolism analysis by Sølve N.T. Lauvås<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i206.photobucket.com/albums/bb309/DJ_PY/openformanalyze-1web.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 1024px; height: 724px;" src="http://i206.photobucket.com/albums/bb309/DJ_PY/openformanalyze-1web.jpg" alt="" border="0" /></a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-59965924142933297382009-08-18T04:25:00.000-07:002010-10-10T07:24:28.079-07:00Ralph Erskine<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #3e3832"><span class="Apple-style-span" style="font-size: small;"><a href="http://en.wikipedia.org/wiki/Ralph_Erskine_(architect)">http://en.wikipedia.org/wiki/Ralph_Erskine_(architect)</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #3e3832"><span class="Apple-style-span" style="font-size: small;"><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #3e3832"><span class="Apple-style-span" style="font-size: small;">The Byker Wall:</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #3e3832"><span class="Apple-style-span" style="font-size: small;"><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #3e3832"></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #3e3832"><span class="Apple-style-span" style="font-size: small;"><a href="http://en.wikipedia.org/wiki/Byker_Wall">http://en.wikipedia.org/wiki/Byker_Wall</a></span></p><p></p>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-20655738158190498462009-08-18T04:19:00.000-07:002010-10-10T07:24:28.080-07:00Lucien Kroll - Manifesto: slow mutation of housing politics<span class="Apple-style-span" style="font-size: small;"><a href="http://www.vitruvius.com.br/arquitextos/arq000/esp106i.asp">http://www.vitruvius.com.br/arquitextos/arq000/esp106i.asp</a></span>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-75966672904187806992009-07-31T05:08:00.000-07:002010-10-10T07:24:28.082-07:00Open form related<a href="http://www.sfj.no/cmssff/cmsmm.nsf/lupgraphics/OpenForm_Exhibition_Norway_2_Smaller44.pdf/$file/OpenForm_Exhibition_Norway_2_Smaller44.pdf">http://www.sfj.no/cmssff/cmsmm.nsf/lupgraphics/OpenForm_Exhibition_Norway_2_Smaller44.pdf/$file/OpenForm_Exhibition_Norway_2_Smaller44.pdf</a><br /><br /><a href="http://www.slideshare.net/guest0ba4782/visuell-struktur-bas-finale-mars-2010">http://www.slideshare.net/guest0ba4782/visuell-struktur-bas-finale-mars-2010</a><br /><br /><a href="http://www.tate.org.uk/tateetc/issue16/polishart.htm">http://www.tate.org.uk/tateetc/issue16/polishart.htm</a><br /><a href="http://www.kaput.gr/05/papamichali.html"><br />http://www.kaput.gr/05/papamichali.html</a><br /><a href="http://www.artmargins.com/content/feature/ronduda.htm"><br />http://www.artmargins.com/content/feature/ronduda.htm</a><br /><a href="http://the-return-of-the-previ.blogspot.com/"><br />http://the-return-of-the-previ.blogspot.com/</a><br /><br /><a href="http://www.kulikzofia.pl/index_eng.html">http://www.kulikzofia.pl/index_eng.html</a><br /><br /><a href="http://www.burundi.sk/monoskop/index.php/Arts_and_engineering_collaborations_in_CEE">http://www.burundi.sk/monoskop/index.php/Arts_and_engineering_collaborations_in_CEE</a><br /><br /><a href="http://www.frieze.com/issue/article/game_theory">http://www.frieze.com/issue/article/game_theory</a><br /><br /><a href="http://magazines.documenta.de/frontend/article.php?IdLanguage=1&NrArticle=1444">http://magazines.documenta.de/frontend/article.php?IdLanguage=1&NrArticle=1444</a><br /><br /><a href="http://www.culture.pl/en/culture/artykuly/os_kowalski_grzegorz">http://www.culture.pl/en/culture/artykuly/os_kowalski_grzegorz</a><br /><br /><a href="http://www.microurbanism.net/blog/2005_03_01_archive.html">http://www.microurbanism.net/blog/2005_03_01_archive.html</a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-61315953286043271632009-07-31T05:01:00.000-07:002010-10-10T07:24:28.084-07:00Oskar Hansen & open form<span style=";font-family:arial;font-size:85%;" ><a href="http://www.tnn.lublin.pl/Oskar_Hansen,2969.html"><span class="Apple-style-span">http://www.tnn.lublin.pl/Oskar_Hansen,2969.html</span></a><br /></span><div style="font-family:arial;"><span style="font-size:85%;"><br /></span></div><div style="font-family:arial;"><p style="margin: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;font-size:19.5px;"><span style="font-size:85%;"><a href="http://www.sekcja.org/miesiecznik.php?id_artykulu=81"><span class="Apple-style-span">http://www.sekcja.org/miesiecznik.php?id_artykulu=81</span></a></span></p></div><div style="font-family:arial;"><span style="font-size:85%;"><br /></span></div><div style="font-family:arial;"><p style="margin: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;font-size:19.5px;"><span style="font-size:85%;"><a href="http://galeria-obrazow.com/artists/artists-environment/88"><span class="Apple-style-span"><span class="Apple-style-span">http://galeria-obrazow.com/artists/artists-environment/88</span></span></a></span></p></div><div style="font-family:arial;"><span style="font-size:85%;"><br /><a href="http://www.team10online.org/">http://www.team10online.org/</a><br /><br /><a href="http://societyofalgorithm.org/OH/openform.pdf">http://societyofalgorithm.org/OH/openform.pdf</a><br /></span></div>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-29547630405410964852009-06-27T08:45:00.000-07:002010-10-10T07:24:28.085-07:00Pajace (Puppets)<object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=5030378&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=5030378&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><p><a href="http://vimeo.com/5030378">PAJACE (Puppets)</a> from <a href="http://vimeo.com/user1863803">Piotr Andrejew</a> on <a href="http://vimeo.com">Vimeo</a>.</p>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0tag:blogger.com,1999:blog-6080692856600583651.post-1654715193548208712009-02-16T12:36:00.000-08:002010-10-10T07:24:28.087-07:00Oskar Hansen at Monoskop<a href="http://www.burundi.sk/monoskop/index.php/Oskar_Hansen">http://www.burundi.sk/monoskop/index.php/Oskar_Hansen</a>-_-_-_-_-_-http://www.blogger.com/profile/17472436628065389198noreply@blogger.com0